Two days before a trip to the east coast early this fall, I got an email from my financial advisor. He said, “There was a very good Goldman Sachs note available today, so we put some in your retirement account.”
“Goldman Sachs?!” I said. “My son just asked if I wanted to go to New York City and Occupy Wall Street with him on one of the only two days I’ll see him at college while I’m out there. Goldman Sachs?”
I told Jacob this story on the train into New York City that Saturday. Deciding to tell the rest of the story publicly was more difficult.
“Fear suppresses the truth.” – Anonymous comment on live streaming channel, 10.08.11
Diversity and inclusion. After all these decades, the words are more prevalent but the picture is worse.
Ten years ago almost to the moment, I went in to my son’s room to make sure he was up for school. He was 10 and had just started 5th grade. This meant he’d just started embracing pre-teen practices; for example, a clock radio set to the local Colorado station whose DJs provided a continual flow of crass jokes and innuendo into young people’s waking brains.
“You better get out of bed, sweetheart,” I said. “You don’t want to be late.”
“Hey, Mom? An airplane just crashed into the World Trade Center,” said Jacob.
“Art urges voyages,” wrote poet Gwendolyn Brooks, “and it is easier to stay at home….”
Cuba and Beyond is a collection of four exhibits now at the Sangre de Cristo Arts and Conference Center in Pueblo, Colorado. Whether your personal voyage would be to explore cultural identities, to venture into the world of the transcultural – that complex merging and converging of cultures – or simply to travel the distance to Pueblo, Cuba and Beyond is worth your effort.